Jonas Braasch is a Professor at the School of Architecture at Rensselaer Polytechnic Institute and teaches in the Graduate Program in Architectural Acoustics. His research interests span collaborative virtual reality systems, binaural hearing, auditory modeling, multimodal integration, sensory substitution devices, aural architecture and creative processes in music improvisation. For his work, he has received funding from the National Science Foundation, Natural Sciences and Engineering Research Council of Canada, DFG (German Science Foundation), the European Research Council, New York State Council on the Arts, the Christopher and Dana Reeve and Craig H. Neilsen Foundations. He obtained a master’s degree from Dortmund University (Germany, 1998) in Physics and two Ph.D. degrees from Ruhr-University Bochum, Germany (2001, 2004) in Electrical Engineering/Information Science and Musicology. As a soprano saxophonist, he has worked with Curtis Bahn, Chris Chafe, Stuart Dempster, Mark Dresser, Zach Layton, Francisco Lopez, Pauline Oliveros, and Doug van Nort – among others. Within his saxophone practice, Jonas Braasch developed his horn of sounds concept, which is the first method for wind instruments to use different sound generators to create a palette of sounds and styles using one main instrument to achieve an enhanced awareness of internal diversityJonas Braasch is an acoustician, musicologist, and sound artist who teaches courses in Acoustics, Music, and the Doctoral Seminar at the School of Architecture at Rensselaer Polytechnic Institute. He obtained a master's degree from Dortmund University (Germany, 1998) in Physics and two PhD degrees from Ruhr-University Bochum, Germany (2001, 2004) in Electrical Engineering/Information Science and Musicology. Mr. Braasch is the co-founder and director of the Communication Acoustics and Aural Architecture Research Laboratory (CA3RL) which is part of RPI's Architectural Acoustics Program. His research interests include Binaural Hearing, Multi-channel Audio Technology, Telematic Music Systems, Perceptual Audio/Visual Integration, Intelligent Systems, and Musical Acoustics. Jonas Braasch (co-)authored more than 60 journal and conference papers and 3 monographs. For his work, he has received funding from the NSF, NSERC, DFG (German Science Foundation), and NYSCA. As a soprano saxophonist and sound artist, he has on-going collaborations with Curtis Bahn, Chris Chafe, Michael Century, Mark Dresser, Pauline Oliveros, Doug van Nort, and Sarah Weaver - among others. In 2006, he has been awarded with the Lothar-Cremer Prize, the highest recognition of the German Acoustical Society for young investigators.